Many people take a morning walk each day for fresh air and exercise. But for an artist it can be a way to wake up to the visual inspirations in the world around them. The colors, the observations, the textures, the found objects, even the sounds can enliven their imaginations and feed their creative process!
I have decided to try taking morning walks this fall season (as suggested by artist, Susan Brubaker Knapp) before going into the studio~~to wake up, snap photos, or even make sketches. Here is my first Morning Walk inspiration….
As Summer arrived, many other events that required my attention did also. Though,this week finds me back in the studio with new goals for the rest of the season. Like everyone, I struggle at times to balance work and family, and am sometimes more successful than others.
But, Summer is spent gathering creative inspirations–new sights, sounds, smells, touch sensations, tastes, and experiences.
What summer activities feed your creative soul and impact your future artistic work?
What do you think of when you think about children playing? Running?… jumping?… games?…having fun? and bright colors? This week I began a new series,Child’s Play. For a long time I have been collecting brightly colored fabrics with whimsical prints. While I did not have a design idea for them yet, when my husband asked me about a small art quilt that might relate to children, my mind began focusing on a few different ideas. I thought of a favorite book on my shelf, Quilter’s Playtime: Games With Fabric by Dianne S. Hire. I was inspired to use the games of–spinners,pin-the-tail-on the-donkey, and marbles–in a composition entitled,Playtime Games.
A quick sketch of an idea was drawn…And a pile of playful, brightly colored fabrics was thrown on the table…(Actually my stash on the shelf is very orderly! )
Then, I drew objects of the design on the paper backing of fusible web. (I like Lite Steam-a-Seam2 brand) These were then cut-out and arranged on the background fabric. To construct the tails, two pieces of fabric were sewn together wrong sides together, turned, and basted into place. I took digital photos to view the composition and placement of the pieces. When the desired effect was achieved, the top was fused into place.
Next, the top was layered with low-loft batting and a backing fabric. Thread-painting was done to enhance the details of the objects. And, texture, depth, and line was added to the design using free-motion quilting. I like the way the quilting lines also add movement to this piece. A button and beads were stitched to the tails, the binding was fused to the back, and I signed and dated the front…
Working on this series reminds me not to forget how important playing is…